to the handful of you who actually maintain interest in this blog: i do apologize for the wait and commend you for your patience. hopefully i'll be back to doing this on the regular now that my life is (a little) less crazy. onto the monotonous ramblings!
gasp (pretty sure they preferred lowercase spelling, as i do, but sometimes it's capitalized for the sake of consistency and organizing...) was a noisy, atmospheric project which, without being formulaic, played spazzy powerviolence and/or heavy sludge. though only active for a brief period in the late 90's, the band appears to have had a lasting impact on other artists that are trying to push the limits of what punk rock can and should consist of. listening to this release in particular calls to mind the efforts made by bands like REFUSED, who seamlessly tied together an album that contained an array of styles, sound clips and samples, varying dynamics, etc. in a definitive and cohesive manner. in short, it shatters people's perceptions and expectations, and one can only hope it does so for the better.
in terms of the way it sounds, i'd put it much more on par with something like if GRIEF were to perform a live album underwater while tripping and forcing all the majestic sea creatures who come in contact with the sound waves/acid to get hella existential...which is just kind of what i envision rather than what it objectively sounds like. maybe i'd describe it as "bubbly" in this sense. if it helps, i'd also say the vocals remind me a lot of the later CHARLES BRONSON releases, and that the record was put out by Slap-a-Ham. no? alright. you should probably just listen to it for yourselves. it's really cool and miserable and stuff. i highly recommend listening to it alone on the subway or on rainy, introspective nights. you'll probably discover (if you haven't already) that a lot of things are "wrong" with you, but that's why we're "here" in the first place, isn't it? ANSWER ME.
instead of over-hyping it or going into useless details i'll let it speak for itself, as it has done so quietly for the last decade or so.
personal favorites include: Silk Orbita, Sky Flowers Through Horse Eggs, Auroren, and Trippy Dead Zone.
last.fm in the post's link, myspace here.
bands/albums that i enjoy quite a bit and wish to share with the world. many of these artists are underexposed and, in my opinion, deserve and/or demand your attention. if you like what you hear, consider purchasing their work; it's usually worth it.
*i'm not going to post links to direct downloads. not because i'm anti-file sharing, but because the vast majority of this stuff is already available elsewhere.
11/21/2011
9/14/2011
Full of Hell - Roots of Earth are Consuming My Home
UHHH 9.6/10 SERIOUSLY OLD NEWS I KNO GUYS BUT OMG I'VE BEEN LISTENING TO IT ON REPEAT FOR ALMOST A MONTH NOW AND IT'S BASICALLY THE BEST SO GO BUY IT DOWNLOAD IT GET SOME MERCH SEE THEM ON TOUR I DON'T CARE JUST FUCKING APPRECIATE THIS SHIT BECAUSE IT COMES ONCE IN A BLUE MOON GOD LORD WILL SOMEONE LET ME JOIN THIS BAND IS IT TOO SOON FOR A COVER BAND I DON'T KNOW SO MANY QUESTIONS IS THAT A CATERPILLAR NOPE JUST A CIGARETTE I LEFT IN MY WINDOW SILL WHOOPS.
eff this crowd, srsly. i'd be murdering everyone >>>
eff this crowd, srsly. i'd be murdering everyone >>>
Labels:
Blackened,
Chaotic,
Crust,
Dark,
Doom,
Epic,
Fast,
Hardcore,
Loud,
Noise,
Pissed,
Power-Violence
Welkin Dusk - Born into a Dying World
after a less-than-impressive 4 track demo released about a year ago, WELKIN DUSK have tightened things up significantly with this self-produced and distributed full-length debut.
a self-proclaimed anarchist quartet hailing from the south side of Chicago, these kids play a heavily blackened brand of crust punk in the vein of LIFE IS HELL. lyrics range from sociopolitical commentary to the ever-relevant topic of hate for oneself (and all things), and suicide.
while i don't find that they fit in with the current trend in raw usbm, they do maintain the general feel of said style by having released this album on cassette and, intentionally or not, emphasizing the high-end of things both musically and vocally. additionally, WD doesn't go for the epic neocrust prologue, nor do they perform SKAGOS (or, as the name may imply, EMPEROR) worship. 7 songs in 24 minutes. hello *screams* goodbye.
the drumming is tight and the vocals are incredible shrieks and growls. my only complaint, really, is the guitar tone. it's this twangy fender sound that, on the beginning of the album's first track, "Buried Deep in My Hate" sounds like a cool intro effect that would later blend into a nice, rich, metallic low-end with tons of gain (like MARTYRDÖD, for example). but nope, guitar stays really weird and dry. i suppose it makes the riffs more audible, but i just think these songs would hit harder - even on a cassette - with some more depth. i wanna wall-o-sounnnd.
back on the positive side, the drumming is fairly technical, and none of the songs have a tendency to repeat themselves; neither in pattern/structure, nor riff or lyrics. it's pretty "diverse", but definitely still sounds and feels like a whole release, not just 7 songs thrown onto one tape and called an LP. plus their lives shows are pretty killer. they sounded wayyy more dense and atmospheric on stage than they do on the release. but again, it's a solid effort and the song-writing is really what counts.
check 'em out on myspace, or their bandcamp (in the post's title).
SORRY EVERYONE I'M KINDA LAZY RIGHT NOW. WANT PUMPKIN COFFEE.
a self-proclaimed anarchist quartet hailing from the south side of Chicago, these kids play a heavily blackened brand of crust punk in the vein of LIFE IS HELL. lyrics range from sociopolitical commentary to the ever-relevant topic of hate for oneself (and all things), and suicide.
while i don't find that they fit in with the current trend in raw usbm, they do maintain the general feel of said style by having released this album on cassette and, intentionally or not, emphasizing the high-end of things both musically and vocally. additionally, WD doesn't go for the epic neocrust prologue, nor do they perform SKAGOS (or, as the name may imply, EMPEROR) worship. 7 songs in 24 minutes. hello *screams* goodbye.
the drumming is tight and the vocals are incredible shrieks and growls. my only complaint, really, is the guitar tone. it's this twangy fender sound that, on the beginning of the album's first track, "Buried Deep in My Hate" sounds like a cool intro effect that would later blend into a nice, rich, metallic low-end with tons of gain (like MARTYRDÖD, for example). but nope, guitar stays really weird and dry. i suppose it makes the riffs more audible, but i just think these songs would hit harder - even on a cassette - with some more depth. i wanna wall-o-sounnnd.
back on the positive side, the drumming is fairly technical, and none of the songs have a tendency to repeat themselves; neither in pattern/structure, nor riff or lyrics. it's pretty "diverse", but definitely still sounds and feels like a whole release, not just 7 songs thrown onto one tape and called an LP. plus their lives shows are pretty killer. they sounded wayyy more dense and atmospheric on stage than they do on the release. but again, it's a solid effort and the song-writing is really what counts.
check 'em out on myspace, or their bandcamp (in the post's title).
SORRY EVERYONE I'M KINDA LAZY RIGHT NOW. WANT PUMPKIN COFFEE.
8/22/2011
CTTS - Decompositions Vol I, Chapter I: Rites of Initiation
i don't have to say anything, do i? well, just to be sure: this is the new CIRCLE TAKES THE FUCKING SQUARE EP. as far as i understand, it will be the first quarter of their upcoming full-length. i don't even have words for how excited i am. it WILL be the best album of the year.
the only words i can muster are, "holy shit, this is heavy". i'm in awe. may be over-hyping it for some of you, but idgaf. Way of Ever-Branching Paths and The Ancestral Other Side are just phenomenally amazing. that's right. double adjective. head-spinning. lots of depth.
BANDCAMP IN THE TITLE, SUCKERS.
the only words i can muster are, "holy shit, this is heavy". i'm in awe. may be over-hyping it for some of you, but idgaf. Way of Ever-Branching Paths and The Ancestral Other Side are just phenomenally amazing. that's right. double adjective. head-spinning. lots of depth.
BANDCAMP IN THE TITLE, SUCKERS.
8/21/2011
White Lung - It's The Evil
Vancouver's own 3/4 lady-garage-punk-quartet.
apologies, all. i've been slacking on this blog front lately. i promise that a three-fer is on the way. maybe older/timeless records that i think go unnoticed? but onto this review:
i may be alone in this, but i'm totally stoked on/excited for this band to be in existence. It's The Evil is an awesome record from front to back. no lulls and little filler. it's just full force; aggressive, but with a hint of that rebellious apathy that i find endlessly appealing, especially in stage presence.
basically, this act is a way better version of the YEAH YEAH YEAHS. dancey but moshable punk rock. "raw" and "grungy", but not in the commonly understood sense of the terms. the emotion and "rawness" in presentation is palpable. you can't help but feel it bursting through your speakers. "grungy" in a rock-and-roll sense, but no fuzzy distortion. guitar(s) are crisp and clean, but the amount of gain is ear-piercing. same with the drums. these kids play their instruments hard.
vocally, Mish Way is whiny and wavy, but not in a nauseating or obnoxious way. her vocal style is very well balanced, especially with regards to the flow of the album. a good mix of yelling, screaming, singing, and snottiness. i hate to say it, because it seems all too obvious, but she honestly does remind of of Kathleen Hanna (BIKINI KILL) with the way she enunciates certain words in a mocking-like fashion. you know what i'm talking about. that being said, i wouldn't call WHITE LUNG a riot grrl band. which, incidentally, i think is for the better. (sorry to burst your bubble, second-wavers.) but i digress.
the bass has a distinct fender jazz sound with an excellent tone that blends well with the rest of the band, but stands out when it should/needs to. the cymbals sound like they're shattering to pieces every time they're hit. the snare is punching you in the throat. the guitar plays loud as fuck open chords and dizzying/hypnotic lead parts, but crystal clear and also (somehow) not overpowering. tracks like Viva La Rat, Shoot, and Like Dad (which are my three favorites on the albummm) feature what i find to be the raddest of lead riffs that help define the band. i also think the affect it has on the listener compliments the artwork and vice-versa. a lot of that good old fashioned 16th note stuff going on all around, but they can seemingly stop on a dime. well done.
favvsies: Viva La Rat, Two Seen, Shoot, Like Dad. (Atlanta gets a shout-out too for being hella catchy.)
so yeah, these folks are all over the interwebs: tumblr in the title, myspace, facebook, Deranged Records.
someone book them a show in Chicago. like, maybe that RVIVR/THIS IS MY FIST one in September?
MORE TO COME. I SVVEARRR.
apologies, all. i've been slacking on this blog front lately. i promise that a three-fer is on the way. maybe older/timeless records that i think go unnoticed? but onto this review:
i may be alone in this, but i'm totally stoked on/excited for this band to be in existence. It's The Evil is an awesome record from front to back. no lulls and little filler. it's just full force; aggressive, but with a hint of that rebellious apathy that i find endlessly appealing, especially in stage presence.
basically, this act is a way better version of the YEAH YEAH YEAHS. dancey but moshable punk rock. "raw" and "grungy", but not in the commonly understood sense of the terms. the emotion and "rawness" in presentation is palpable. you can't help but feel it bursting through your speakers. "grungy" in a rock-and-roll sense, but no fuzzy distortion. guitar(s) are crisp and clean, but the amount of gain is ear-piercing. same with the drums. these kids play their instruments hard.
vocally, Mish Way is whiny and wavy, but not in a nauseating or obnoxious way. her vocal style is very well balanced, especially with regards to the flow of the album. a good mix of yelling, screaming, singing, and snottiness. i hate to say it, because it seems all too obvious, but she honestly does remind of of Kathleen Hanna (BIKINI KILL) with the way she enunciates certain words in a mocking-like fashion. you know what i'm talking about. that being said, i wouldn't call WHITE LUNG a riot grrl band. which, incidentally, i think is for the better. (sorry to burst your bubble, second-wavers.) but i digress.
the bass has a distinct fender jazz sound with an excellent tone that blends well with the rest of the band, but stands out when it should/needs to. the cymbals sound like they're shattering to pieces every time they're hit. the snare is punching you in the throat. the guitar plays loud as fuck open chords and dizzying/hypnotic lead parts, but crystal clear and also (somehow) not overpowering. tracks like Viva La Rat, Shoot, and Like Dad (which are my three favorites on the albummm) feature what i find to be the raddest of lead riffs that help define the band. i also think the affect it has on the listener compliments the artwork and vice-versa. a lot of that good old fashioned 16th note stuff going on all around, but they can seemingly stop on a dime. well done.
favvsies: Viva La Rat, Two Seen, Shoot, Like Dad. (Atlanta gets a shout-out too for being hella catchy.)
so yeah, these folks are all over the interwebs: tumblr in the title, myspace, facebook, Deranged Records.
someone book them a show in Chicago. like, maybe that RVIVR/THIS IS MY FIST one in September?
MORE TO COME. I SVVEARRR.
8/09/2011
Coffinworm - When All Became None
...and from the bowels of hell (aka Indianapolis), COFFINWORM has arisen. probably the most exciting new act the midwest has to offer.
they play a blackened-yet-stoner-friendly style of mid-tempo sludge. metallic, grim, and satanic. "my insurrection versus your ressurection". death obsession. "putrid breath of life, how i hate you". elements of grindcore set them apart from a lot of what's going on in sludge and black-whatever right now (i.e. the whole post-rock craze). specifically, they utilize the high/low vocalization; the former being very scratchy and audible, and the latter being deep, guttural and muddy. similarly, the employ a fair amount of thrashing on the drums during certain riffs, but this is usually in accordance with the tremelo (read: blackened) guitar riffs. uniqueness aside, the attention paid to this record is mostly due to the fact that these guys just do what they're doing extremely well.
a mere 6 song LP with tracks spanning from six to eight minutes in length, When All Became None is not by any means an extensive work, but similar to SEVEN SISTERS OF SLEEP, it may be the perfect duration for a band that's just beginning to make their mark on the scene and heading out on tour in the near future. with no obligatory intro(s)/outro(s)/interludes, swelling feedback, or long droning bridges/soundscapes - at least none lasting for more than 20 seconds - COFFINWORM hits the ground running and doesn't let up until the last deafening note. again, i would liken it to grind in this aspect, or at least a more "punk" side of sludge.
one of the coolest things about this release is how transparent it is. what i mean is that nothing is lost or overpowered in the mixing. nothing is notably driving anything else (aside from the tightness of the rhythm section), nothing is drowned out or made indistinguishable. i would anticipate that seeing them live (which i plan on doing August 20th @ Bottom Lounge!) would either match the sound of the record or exceed it. there is no studio magic holding this album together, and there won't be a box full of pedals necessary to replicate the pervasive gloom and doom. COFFINWORM is just simply a really good band, as a band.
personal favs: Blood Born Doom, Spitting in Infinity's Asshole, *The Sadistic Rites of Count Tabernacula.
*rager.
dudes are all over: myspace, bloggin', world-renowned facebook, and a link to their own website has been included in this post's title. kablaam.
SONS AND DAUGHTERS [AND GENDER VARIANTS] OF SATAN, COME TO ME.
8/02/2011
Shards - Self-Titled LP
for those of you already familiar with North Carolina's SHARDS, you may have noticed that i've rotated the artwork 90 degrees right. i don't care how the LP is packaged; it really, really looks like a face, and having it sideways bugs the shit out of me.
anyway, a lot of people have been describing this new project as "dark" yet "melodic" punk. i can't say this is far from the truth (what else is new?), but i also feel that there's much room for elaboration. gritty, almost snotty vocals are probably the most notable aspect of the band. hooks and melodies? not really an option without harmonies or repeated one-liners/group vocals, in my opinion. catchy? yeah, i'll agree with that. last.fm claims that the band, "reach[es] back to punk’s pre-hardcore days", bringing to mind early TSOL. i'll agree with that too.
SHARDS goes for an almost SST Records (BLACK FLAG, HUSKER DU, etc.) style sound, and they do a pretty good job of it, considering it is 2011. heavy, crunchy bass is the most driving force underneath the layered vocals (which i must reiterate is definitely the most prominent force on this album), with a nearly absent bass drum and fairly weak snare drum hits. the guitar, however, is not nearly as fuzzy or distorted as these "pre-hardcore" punk pioneers. there are also no ridiculous solos or bends. the riffs they play are pretty rock-and-roll, but in a very subtle way.
because the record goes by so fast and there aren't many stand-out tracks, i'm going to go ahead and cut this one short. i must say, though, that for as underwhelming as i found it at first, this release has made more than its fair share of appearances on my last.fm charts. something about it keeps me coming back, and i'm sure they'd be quite a bit of fun to see live. i am very curious to see if they are able to spawn more bands with this interesting take on an old-school sound. perhaps some sort of unforeseen revival? i don't know. the point is: this is a solid piece of work, and there are definitely not enough people turned on to it. hence, my rants.
check out their myspace (linked in the post title) to hear these jams for yourself. it's not for everyone, i understand, but i think it's pretty cool stuff. and who doesn't like cool stuff?!
the songs i like better than some others: Bleach, Lycanthropic Discomfort, DMT, Self-Medication.
THE NEXT ONE WILL BE BETTER.
anyway, a lot of people have been describing this new project as "dark" yet "melodic" punk. i can't say this is far from the truth (what else is new?), but i also feel that there's much room for elaboration. gritty, almost snotty vocals are probably the most notable aspect of the band. hooks and melodies? not really an option without harmonies or repeated one-liners/group vocals, in my opinion. catchy? yeah, i'll agree with that. last.fm claims that the band, "reach[es] back to punk’s pre-hardcore days", bringing to mind early TSOL. i'll agree with that too.
SHARDS goes for an almost SST Records (BLACK FLAG, HUSKER DU, etc.) style sound, and they do a pretty good job of it, considering it is 2011. heavy, crunchy bass is the most driving force underneath the layered vocals (which i must reiterate is definitely the most prominent force on this album), with a nearly absent bass drum and fairly weak snare drum hits. the guitar, however, is not nearly as fuzzy or distorted as these "pre-hardcore" punk pioneers. there are also no ridiculous solos or bends. the riffs they play are pretty rock-and-roll, but in a very subtle way.
because the record goes by so fast and there aren't many stand-out tracks, i'm going to go ahead and cut this one short. i must say, though, that for as underwhelming as i found it at first, this release has made more than its fair share of appearances on my last.fm charts. something about it keeps me coming back, and i'm sure they'd be quite a bit of fun to see live. i am very curious to see if they are able to spawn more bands with this interesting take on an old-school sound. perhaps some sort of unforeseen revival? i don't know. the point is: this is a solid piece of work, and there are definitely not enough people turned on to it. hence, my rants.
check out their myspace (linked in the post title) to hear these jams for yourself. it's not for everyone, i understand, but i think it's pretty cool stuff. and who doesn't like cool stuff?!
the songs i like better than some others: Bleach, Lycanthropic Discomfort, DMT, Self-Medication.
THE NEXT ONE WILL BE BETTER.
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